Embracing Couple by I Wayan Purne (incised signature on the underside), mid-1950s to mid-1980s, 23.5 x 21 x 18 cm I Wayan Purne (whose name is sometimes spelled "Purna") is among the masters who, in the second half of the 20th century, adopted the rounded forms style created by Ida Bagus Njana in the mid-1950s. A skilled and particularly prolific sculptor, he is said to be highly regarded by Asian collectors. His pieces are generally signed under the base. Some of his finest

Seated woman, 1930s or 1940s, 29.5 cm, private collection In the 1930s-1940s, as the wayang style flourished, sculptors increasingly produced representations of everyday life scenes to better satisfy the tastes of foreign visitors. Among sculptures of this type, seated female figures are undoubtedly the most sought-after by collectors today. On online sales platforms, some easily reach high prices, not to say unreasonable in certain cases. For period and style are not everyth

Young woman holding a flower and a mirror by a sculptor from the Njana Tilem Gallery, between 1970 and 2000, 31 cm, private collection Probably created between the 1970s and 1990s, the sculpture is carved from Macassar ebony, a dark wood streaked with reddish veins. It depicts a young woman kneeling, her legs folded to one side. With her head tilted, she gazes at a flower she holds between the fingertips of her right hand. In her other hand, she holds a mirror. She is simply

Pregnant Woman, mid-20th century, 13 cm, private collection This small figure bears no inscription, but the fairly strong similarities it shows with another piece in my collection signed by I Wayan Gejir could justify an attribution to that carver. Like the sleeper discussed here , it is a variation on the motif of the sleeping figure created by Ida Bagus Njana in 1956. Beyond the plump appearance characteristic of this style of full, rounded forms, one finds the attitude of

Woman Combing Her Hair, 1930s or 1940s, 32.5 cm, private collection From the early twentieth century onward, Balinese carvers multiplied representations of scenes drawn from everyday life in order to cater to the tastes of foreign visitors. In modern Balinese sculpture, the everyday situations and attitudes depicted very often correspond to variations of a type within a theme: a seated woman or man, a woman kneeling in prayer, a priest kneeling before the table on which he pe

A Balinese couple: young woman by I Wayan Gog, 30 cm; young man by I Made Pait, 36,5 cm, 1930s–1940s, private collection Balinese busts have been among the most cherished souvenirs for visitors to the island since the 1930s. And it is undeniably in the first half of the 20th century that the finest pieces were produced—whether busts of women, men, young or old, or janger (or djanger) dancer busts with their wide headdresses decorated with floral motifs. Figures of young adult

Reclining Woman, first half of the 20th century, 25 x 12.8 cm, private collection Sleep is a recurring motif in modern Balinese sculpture. It is the central theme of reclining figures set against a flat background, as illustrated by this example. These figures often appear in pairs: a sleeping man and a sleeping woman, the latter sometimes accompanied by a child. They seem to have been popular between the 1930s and 1960s. They can be found in the wayang style as well as in a